we believe music shouldn not be explained or overanalyzed. we would rather avoid too many useless words. just press play and listen to it.

limited edition repress of the four owls’ second album on golden & silver coloured double vinyl.

limited edition repress of the four owls’ second album on red & blue coloured double vinyl.

dysnomia reminiscent of the infamous quote there are four lights, the release kicks off with an homage to the will of resistance. from captain picard to orwell may the (referential) chain of command is not as evident as h4ls sci-fi passion, the title tracks power structure couldnt be wielded more efficiently: while stomping kick drums and subtle hi-hats build up a foreplay full of suspense, the witty melody with its warped and distorted sounds grants four lights the perfect authority. following a similar approach, fesch with its bouncy and mantra-like groove, in which synths playing a ping-pong game, completes the swinging a-side. deepa & biri, the israeli dj and producer duo from tel aviv, start the flip side with their interpretation of four lights. by using breaks and greater attention for details, the remix not only redirects the originals energy into more hypnotic realms, deepa & biri extract the melodys keys in order to create a moody and dense version. resonating from two decades of warehouse reverberation experience, disc 2 dysnomia finishes the release with an idm-drenched workout, full of uk bass knowledge, unpolished electro grooves, and swirling synth poetry. absolute freedom means absolute lawlessness.

richy ahmed’s agenda setting four thirty two label welcomes back jansons and the senzala duo for two terrific tracks that are designed to detonate the dance floor.

more no nonsense techno on the second release from sweden’s 7685rec.

three years on from 01, this tenth cassette release & the seventh volume of the oddities compilation series brings another four newcomers to low-key bristol outfit, tutamen. joel john, moní moní & half nelson follow stellar appearances across the technosphere to bless us with their wares, and define jocular presents an intriguing debut appearance.

initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, future four returns after a hiatus of several years, pushing into new eras, machines and ideals with connection. initially a solo project of andy meecham, the brains behind emperor machine, chicken lips, and bizarre inc., connection is the first future four release to feature the contribution of erol alkan as a permanent member, and is a coupled with a remix from i:cube. a veritable powerhouse of synths, vintage drum machines and all man-ner of effects, connection unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of fm synthesis and psy-chedelia. on the remix, i:cube takes the unpredictable rhythm of connection and coaxes its versatile, multiple elements into a timeless slice of boogie house. nurturing the outsider casio feel of the track under a musical heat-lamp, the always forward-thinking frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

four tet reimagines biceps stellar *opal*, adding his signature mix to the already accomplished original.

claque musique kicks off another piece of beauty. “america”, joe montana’s iconic house jam from 1996, is back out now, after more then a decade, remastered and remixed from chicago house pioneers virgo four and the museri.

richy ahmed has been steadily building his four thirty two label over the last 12 months, introducing talented artists such as jansons and senzala to the fold. the imprint is fast becoming a go to label for those who like their house music uncomplicated and hype free, ensuring the chicago and detroit house sound burns bright with new music indebted to the roots of the music. after recent releases on seth troxler’s play it say it label, and remixes for london grammar, richy brings the goods back to home on this latest four thirty two release. on cant stop us, chunky stabs incessantly jab at meaty drums, as a female vocal loop rides on an opening filter. the good vibes build to a classic house piano crescendo that marshall jefferson would certainly approve of, as the soaring strings and evolving drums raise the rapturous mood to dizzying heights. on the flip, the percussive disco drums of dials mavis are bolstered by a booming sub bassline whilst deft keys and deep rhodes chords deliver the infectious melody on this bumping jazz ride.

globex corp return with the forth volume of the immensely popular series. containing four ethereal, atmospheric cuts featuring contributions from tim reaper, dwarde, worldwide epidemic and gand.

500, 12inch 180g, hand stamped, individually numbered records, single press only. tusk s old pal cyclonix follows up his horn wax record with a full release on the main label. justin strauss & bryan mette provide a whatever/whatever remix

returning to giallo after the as-played-by-helena-hauff et al split black gloves ii , bogdan draži&#263,,,, is back with four trax on black wax . three new blisteringly blown out grained to fuck voodoo bangers plus a remix from the mighty dmitry distant. haunted organs, lost jungle tribes, hot cannibal nights... all documented under piles of dirt and ancient spells. not to be missed!

nach seinem studioalbum under the sun (2016) veröffentlicht mark pritchard nun in zusammenarbeit mit dem künstler jonathan zawada das audio-visuelle projekt the four worlds, bestehend aus vorliegender 8-trackkollektion und einem 13-minütigen kurzfilm, bei dem die ausserweltlichen audio- und video-landschaften beider künstler in nie gekannter weise miteinander harmonieren. zahlreiche underground-poeten und musiker sind als feature-gäste vertreten, darunter colorados psychedelia-heldin space lady (s.o.s.) sowie 1980er kult-radiomacher gregory whitehead (come let us). erscheint als schweres 180 gramm vinyl im klappcover, downloadcode inklusive.

sonder-edition auf farbigem vinyl, inklusive foto-buch und album-cd.
happy birthday to us! die party zum zehnjährigen ist offiziell eröffnet! anstatt auf der faulen haut zu schimmeln und ganz easy ein best of der letzten dekade zu veröffentlichen, gibt es nun stattdessen ein worst of. heißt übersetzt: wir haben uns mit liegengebliebenen songbaustellen der vergangenheit im studio eingeschlossen und sind erst wieder rausgekrochen, als alle rohdiamanten auf hochglanz geschliffen waren. der name ist nicht programm, wir sind ein bisschen doll verliebt in unser neues baby. setzt die partyhütchen auf, ab jetzt wird durchgefeiert!

das 2. album von zugezogen maskulin auf vinyl inklusive cd.

happy birthday to us! die party zum zehnjährigen ist offiziell eröffnet! anstatt auf der faulen haut zu schimmeln und ganz easy ein best of der letzten dekade zu veröffentlichen, gibt es nun stattdessen ein worst of. heißt übersetzt: wir haben uns mit liegengebliebenen songbaustellen der vergangenheit im studio eingeschlossen und sind erst wieder rausgekrochen, als alle rohdiamanten auf hochglanz geschliffen waren. der name ist nicht programm, wir sind ein bisschen doll verliebt in unser neues baby. setzt die partyhütchen auf, ab jetzt wird durchgefeiert!
die lp erscheint auf gelbem vinyl inklusive album-cd.

this summer, the left of centre electronica label greco-roman hits its stride and celebrates 10 years of music. and to celebrate they are reissuing their biggest dance floor records and remixes on a series of ltd edition 12inches.

already a regular studio collaborator with richy ahmed, michael jansons aka jansons strikes it solo on the fourth release for richy’s flourishing four thirty two label. the “mode” ep finds jansons following up from recent chart topping original releases and remixes for knee deep in sound, lower east and his “panic at the disco” single on leftroom, which is their best selling single on beatport to date. it’s a bumper 4 track ep, showcasing and encapsulating the many shades of jansons unique sound, and bolstered with a remix from aforementioned collaborator and label boss, richy ahmed. the original mix of “mode” comes correct with plenty of classic house music chops, frenetic synth keys jab away over a rubbery, percussive groove for a sophisticated and energizing club cut, whilst ahmed plumps for a real old skool flavor on his remix. chugging drums and a tight bassline give more than a whiff of classic windy city house vibes on this killer remix. two versions of “colours” are packed with hypnotizing string riffs and bumpin’ percussion, with the “alternative mix” edging it in the more stripped down techno stakes, whilst “sequential” find jansons in disco mood, with rolling drums, string stabs and a deadly bottom end groove that wraps up a fine release from this burgeoning british talent

rube goldberg series begins. we have selected some of the finest talent from across the globe for our first release.
volume one delivers four unrelenting groovers, individually flavoured, each artist brings something fresh to this overall consistent collection of tracks. intricately complex in their creation, yet ultimately these tracks perform a simple task, much like the machines of the late r. goldberg.

das neue album von mark forster in der kogong-edition als doppel-vinyl im klappcover, cd inklusive.

four triangles focuses on sharing music from upcoming producers whose talents are limitless, but have never before shared their work with the world.
asok’s label is at it again on this third release, showcasing five tracks from brighton-based charles green, best known as one of the resident djs at one of the city’s most lauded clubs, patterns. by tapping into his understanding of dancefloor dynamics and a lifelong passion for machine music, green has delivered a debut that’s as assured as it is thrilling.

das 2. album von zugezogen maskulin auf vinyl inklusive cd.

the new album from kieran hebden aka four tet as double vinyl in gatefold sleeve.

alessandro alessandroni is one of the legendary composers and musicians that shaped the characteristic sound of italian soundtrack of the 60s and 70s.
this ep contains unreleased music composed and produced by alessandro alessandroni in the 70s, taken from a dusty tape found in his vault.
the maestro is best known as “the most famous whistle in the history of cinema” (it was him on the theme of the famous spaghetti western “a fistful of dollars”) and as the voice of piero umiliani’s classic “mah-na&#768,,,, mah-na&#768,,,,”.
afro discoteca strikes immediately for its modernity and rich textures, sounding unbelievably contemporary.

dubcore vol.12 welcomes back rotterdam soundboy fff under the radar. fff droped two tunes for dubcore vol.7 in 2009, now he is back for four more tunes. he is taking his round this time with a melange of footwork infected jungle, hardcore slaps on dubby basslines and darkside and ragga breakbeats.
fat mastercut done by lxc on 45 rpm on black vinyl, limited to 300 copies.

kapoor returns with a dynamic ep, “i hope that the energy, time, passion and the internal meaning music has to me can be heard within the release”. techno with a purpose...

since four triangles was founded to release material from previously unheralded artists working in the space between house, techno and vintage rave, it seems fitting that the label’s second release should come from an analogue explorer still making his way in the world.
you may have stumbled across jonas friedlich’s debut solo 12”, a thrillingly forthright collection of hardware workouts that slipped out, unheralded, on molten moods late last year. we think the five tracks showcased here offer an extended glimpse in friedlich’s distinctive musical vision.

the four tops were among a number of groups, including the miracles, the marvelettes, martha and the vandellas, the temptations, and the supremes, who established the motown sound around the world during the 1960s. the group was the main male vocal group for the highly successful songwriting and production team of holland–dozier–holland, who crafted a stream of hit singles on motown. their immaculate four-part harmonies gave voice to many of motowns most enduring songs. their self-titled album (1964) included the singles *baby i need your loving* and *ask the lonely*. you would be hard pressed to find two better singles on a debut album, both being the cornerstones of four tops. a debut to remember.
pressing on audiophile 180 gram vinyl.

four track vinyl label compilation, vol.4

live recording from music gallery detroit (four)! cassette runtime: 99 minutes

fourth part of the 5 years semantica compilation. happy birthday!

new talent from detroit. hazmat s infinite silence ep is as deep as they come, and is the first release in a new series of detroit artist releases from third ear. following on from third ear s landmark detroit beatdown series, the new detroit deep series of releases is just that. hazmat has played keyboards for artists such as bilal and mary j blige, as well as detroit legends kenny dixon jr, amp fiddler and delano smith. along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. he also plays keys with motown legacy artists touring bands, such as the the four tops, the detroit spinners, the gap band. it s not all about the beats and the synths, though. hazmat s work using the talkbox is right up there.

virgo four return on chiwax to present us the fourth part of the e-series! another great release from the chicago masters!

globex corp are back with a bang! featuring four untitled killer cuts from tim reaper & dwarde, with guest productions from worldwide epidemic and dev/null. the second volume in the series picks up where the first volume left off, with tunes covering a gammut of jungle and hardcore styles, from deep amen rollers, to dark 1993 style tearups! kill it with fire!

three four walls house tracks

the first in a series from pelvis records, dj tools volume 1 features an all-australian lineup of artists across 6 tracks. varying in tempo and moods, this first round comes courtesy of sam weston, mall grab, chunyin, body corp, jamie blanco and pelvis. from flat out percussion jams to four-to-the-floor acid, these are tracks to get you out of tight spots (or take you deeper into them).

nice price deal !!! played by mike monday, pete tong, timo maas, daniel taylor, nic fanciulli, james zabielia, deepgroove, lewis dene, dean thatcher, nico de ceglia, chris bonesn. timo maas at dc10: woah what happened thereà. fuck me that destroyed them . big tune at radio one pete tongs essential selection ..

richy ahmeds four thirty two imprint continues to shine a light on the freshest talent emerging from the house music underground, and on the label’s third release, the london based senzala get to flex their muscle on a fine release, backed with a remix from ahmed and jansons aka lovehertz. having previously released on the french label mr. ks & friends, and politics of dancing, the senzala boys, otherwise known as jonni santos & sam holland, deliver the goods once more on the phase ep.

four triangles launches with the tracking ep from oasis pyramid. a collection of deep and raw techno and electronic experiments that cut through the darker and more abrasive side of of the spectrum.

feel the breeze !!

four thirty two, the new record label directed and curated by richy ahmed, reveals its second release this spring with a fantastic new single from luca cazal. out on vinyl, be alone is backed with collaboration with italian producer, andrea fiorito. cazal has previously released music on crosstown rebels, classic music company and his own see double label, and once again displays his house music credentials on this four thirty two release.

semtek returns to do t be afraid label for the first time in five years with four tracks strictly for the djs.

fliessender, innerlicher dialog zwischen verschmelzenden identitäten. produziert von john roberts für cello, sequencer und zwei stimmen. die platte kommt im vollfarbcover mit bedruckter innenhülle.